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Vinyl Releases of the Week: March 21, 2012
New music from the Shins + classic Southern soul reissues = awesome week for vinyl.
The Shins – Port of Morrow (Columbia)
After collaborating with Danger Mouse on the successful side-project Broken Bells, James Mercer returns with his first new Shins material in five years. Described by Pitchfork as “the perfect distillation of the Shins’ back catalog,” Port of Morrow features a new line-up, stellar production from Greg Kurstin of the Bird and the Bee, and a bit of ‘70s AM radio goodness. 180-gram vinyl plus digital download coupon.
Lyle Lovett – Release Me (Lost Highway)
Lyle Lovett’s new double LP finds the eclectic artist exploring his diverse influences with the help of guests k.d. lang, Kat Edmonson, and Nickel Creek’s Sara and Sean Watkins. Features 12 covers including “Release Me,” “White Freightliner Blues,” “Dress of Laces,” “Brown Eyed Handsome Man,” and “Isn’t That So.” Pressed on 200-gram audiophile vinyl with Side D, featuring the album’s sole two originals, playing at 45rpm.
Lee Ranaldo – Between the Times and the Tides (Matador)
The new solo album from Sonic Youth guitarist Lee Ranaldo features an all-star line-up including Wilco’s Nels Cline (guitar), Sonic Youth’s Steve Shelley (drums), Alan Licht (guitar), and John Medeski (keyboards). More along the lines of R.E.M. than SY’s No Wave abstractions and dissonant guitar squalls.
Sam & Dave – Soul Men; Hold On, I’m Comin‘ (Hi Horse Records)
Two classic vinyl reissues from the Memphis soul duo: their 1966 Stax Records debut Hold On, I’m Comin’ featuring the hit title track and “You Don’t Know Like I Know,” and 1967’s Grammy-winning Soul Men featuring their most well-known hit, “Soul Man.”
Charles Mingus – Jazz Portraits (Hi Horse Records)
Exciting 1959 live album from the innovative jazz bassist and composer, recorded at the Nonagon Art Gallery in New York City.
Carla Thomas – Gee Whiz (Hi Horse)
Vinyl reissue of the Queen of Memphis Soul’s 1961 Stax Records debut featuring the hit title track “Gee Whiz (Look at His Eyes)” and “A Love of My Own.”
James Taylor – Flag (Mobile Fidelity)
James Taylor’s 1979 soft-rock album is no longer plagued by muddled sound thanks to this 180-gram audiophile vinyl reissue from Mobile Fidelity. Experience the tonalities, textures, and intimacy of Taylor’s folk arrangements and impeccable storytelling like never before.
Motorhead – 1916 (Back on Black Import)
Vinyl reissue of the British hard-rock band’s 1991 album featuring their ode to the Ramones (“R.A.M.O.N.E.S.”), their ode to L.A. (“Angel City”), and Lemmy’s reflections on the horrors of WWI (“1916”).
Percy Sledge – When a Man Loves a Woman; Warm & Tender Soul (Hi Horse)
Two incredible 1966 Southern soul records from the Golden Voice of Soul, Percy Sledge.
ELO – Electric Light Orchestra (EMI Import)
Imported vinyl reissue of the 1971 debut album from the British symphonic rock band that formed to “pick up where the Beatles left off.” Showcasing their experimental “Baroque-and-roll” style, the album features the songs “10538 Overture” and “Mr. Radio.”
The Sugarhill Gang – 8th Wonder (Hi Horse)
This 1982 sophomore release from the Sugarhill Gang is an old-school hip-hop classic (and best album cover nominee) featuring the group’s hit “Apache” as well as the tracks “Hot Hot Summer Day” and “Funk Box.”
Sun Ra – The Magic City (Hi Horse)
1966 “space-jazz” album from Sun Ra and his Solar Arkestra. Featuring four improv-heavy free-jazz suites, the album is a tribute to Ra’s hometown of Birmingham, Alabama.
Frank Black – Christmass (Vinyl Lovers)
Once only available via download, this live acoustic album from the Pixies’ frontman’s Summer 2006 tour is now available on vinyl. Includes Pixies favorites like “Wave of Mutilation” and “Where Is My Mind?” as well as Black’s post-4AD solo material and a few new tracks.
Queensryche – Operation: Mindcrime (Back on Black Import)
Last but not least, the 1988 breakthrough album from the “thinking man’s metal band.” A complex and ambitious prog-metal concept album and one of the greatest heavy metal albums of all time.
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Vinyl Releases of the Week: March 14, 2012
The close vocal harmonies of the Everly Brothers, the mysterious guitar riffs of Jimmy Page, and the live energy of the Decemberists are just a few of the things you can enjoy on vinyl this week. We’ve also got a stream of 180-gram jazz classics from Wax Time Imports and records from some of punk rock’s best here on the list.
The Everly Brothers – The Golden Hits of the Everly Brothers (Friday Music)
Thanks to Friday Music you can now listen to the rock and roll pioneers’ phenomenal two-part harmonies on 180-gram vinyl. This 1962 greatest hits compilation from the legendary sibling duo features 12 of the Everly Brothers’ biggest hits including “Cathy’s Clown,” “That’s Old Fashioned,” “Crying in the Rain,” “Walk Right Back,” “Ebony Eyes,” and their classic take on Little Richard’s “Lucille.” Lovingly re-mastered from the original tapes.
Jimmy Page – Burn Up (Cleopatra Records)
12-inch vinyl picture disc featuring rare, early blues-rock recordings from the legendary Led Zeppelin guitarist and a host of friends including bassist John Paul Jones.
The Style Council – Café Bleu (Music on Vinyl Import)
180-gram vinyl pressing of the ambitious 1984 debut from the Paul Weller-led British duo. Originally released in the U.S. as My Ever Changing Moods, the album includes that standout track along with other adventures in jazz, soul, pop, and hip-hop, and guest musicians Tracey Horn and Ben Watt from Everything But the Girl.
The Decemberists – We All Raise Our Voices to the Air: Live Songs 04.11-08.11 (Capitol)
Triple-vinyl live album culled from various shows during the indie-rock superheroes’ 2011 tour in support of their Grammy-nominated album The King Is Dead. 20 tracks span the Decemberists’ rich 10-year career, capturing both their exciting versatility and spontaneity onstage.
Television – Television (Vinilissimo)
The eponymous reunion album by the influential NYC proto-punk band was originally released in 1992, some 14 years after Television disbanded. Thanks to Vinilissimo, you can now experience Tom Verlaine’s intricate guitar attack on vinyl.
Social Distortion – Social Distortion (Music on Vinyl Import)
180-gram vinyl pressing of the SoCal roots-punk band’s breakthrough album from 1990. Features Social D’s well-known cover of Johnny Cash’s “Ring of Fire” and the hits “Ball and Chain” and “Story of My Life.”
Lee Fields – Faithful Man (Truth & Soul)
2012 album from the veteran funk and soul artist featuring production from Jeff Silverman and Leon Michels (Adele, Ghostface Killah, Jay-Z). After 43 years in the business, Lee Fields has yet to miss a step.
Willie Dixon – I Am the Blues (Music on Vinyl Import)
180-gram audiophile vinyl reissue of this classic Chicago blues album. Originally released in 1970, the album features the legendary songwriter and his band of Chicago All-Stars performing some of Dixon’s best-known tunes including “I’m Your Hoochie Coochie Man,” “The Little Red Rooster,” “Spoonful,” and “Back Door Man.”
Louis Armstrong & Dave Brubeck – The Real Ambassadors (Wax Time Import)
180-gram vinyl reissue of this unique jazz collaboration based on the jazz musical written and composed by Dave Brubeck and his wife lola. This recording showcases the talents of Louis Armstrong, Carmen McRae, and the innovative vocal group Lambert, Hendricks and Ross while addressing Cold War politics and the U.S. Civil Rights Movement.
Wes Montgomery – So Much Guitar! (Wax Time Import)
This 1961 album is not only a jazz classic but one of the great jazz guitarist’s finest recordings – and it is now available on 180-gram audiophile vinyl! The interaction between Montgomery and pianist Hank Jones is not to be missed.
Bill Evans Trio – Waltz for Debby; Sunday at the Village Vanguard (Wax Time Import)
180-gram vinyl pressings of these companion live albums by the influential jazz pianist and his renowned trio of bassist Scott LaFaro and drummer Paul Motian. Recorded during their June 25, 1961 performance at the Village Vanguard in New York City, it is one of the best live jazz recordings of all time as well as the final performance by LaFaro, who was killed in a car accident just 10 days later.
Charles Mingus – Charles Mingus Presents (Wax Time Import)
This 1960 recording from the ever-exciting jazz bassist is now available on 180-gram audiophile vinyl. Released on the independent label Candid Records, the album features the quartet of Mingus, Eric Dolphy, Ted Curson, and Dannie Richmond recreating the atmosphere of their ongoing performances at the Showplace in New York.
Duke Ellington – Piano in the Foreground (Wax Time Import)
180-gram audiophile pressing of this 1961 album featuring the jazz pianist in a rare trio setting. In addition to beautiful renditions of the jazz standards “I Can’t Get Started,” “Body and Soul,” and “Summertime,” Piano in the Foreground features some true Duke obscurities.
Flash – Flash (Friday Music)
The acclaimed 1972 self-titled debut from the prog-rock quintet featuring former Yes guitarist Peter Banks and virtuoso keyboardist Tony Kaye. For the first time ever, this prog masterpiece is available on 180-gram vinyl, packaged in a striking gatefold cover. Includes the hit single “Small Beginnings” and the radio standards “Dreams of Heaven” and “Children of the Universe.”
Kevin Ayers – Joy of a Toy (Vinilissimo)
Whimsical 1969 solo debut from Soft Machine founding member Kevin Ayers.
Golden Earring – From Heaven From Hell (Music on Vinyl Import)
To celebrate the golden anniversary of Dutch rockers Golden Earring, Music on Vinyl released this brand new compilation featuring a personal selection of favorites. Presented on two 120-gram 10-inch records with the first 500 pressed on gold vinyl.
Shocking Blue – Love Buzz (Music on Vinyl Import)
And another exclusive MOV compilation honoring a ‘60s rock band from The Hague. Shocking Blue was the first Dutch band to have a #1 hit in the U.S. (“Venus”), and their song “Love Buzz” has been covered by the likes of Nirvana and Prodigy. This vinyl-only release features their greatest hits on two 120-gram 10-inch records. First 500 on shockingly blue vinyl.
Roots – Saying Something (In & Out Records)
Live album from the all-star saxophone band of Arthur Blythe (alto), Nathan Davis (tenor and soprano), Chico Freeman (tenor and soprano), and Benny Golson (tenor), recorded at Muddy’s Club in Germany. In typical Roots tradition, it features tributes to some of the great saxophonists in jazz.
GBH – Punked in the OC: Live at the Celebrity Theater 1988 (Cleopatra)
Limited 12-inch vinyl pressing of this epic 1988 live performance by the influential U.K. punk band, recorded at the Celebrity Theater in Anaheim, CA.
Holly Golightly and the Brokeoffs – Long Distance (Transdreamer)
On her new album, Holly Golightly revisits her early solo work with her current band, the Brokeoffs, not only covering herself but covering her covers! “It’s my top 10 tracks prepared from scratch and served up fresh,” she explains.
Shooter Jennings – Family Man (Entertainment One)
Shooter Jennings’ return to his country roots after his Stephen King-narrated dystopian concept album Black Ribbons. In fact, this could be his most country album to date, as well as his most autobiographical.
Lucero – Women & Work (ATO Records)
The new album from Lucero is a true Memphis country soul record – a love letter from Lucero to its hometown. Produced by Ted Hutt (Gaslight Anthem, Dropkick Murphys, Flogging Molly).
Delta Spirit – Delta Spirit (Rounder)
On its third album, the San Diego band makes a move away from its “twangy” and “rootsy” affiliations and delivers a true modern rock record. And who better to help them do it than producer Chris Coady (TV on the Radio, Yeah Yeah Yeahs)!
Laura Marling – Alas, I Cannot Swim; I Speak Because I Can (Alternative Distribution Alliance)
From the young English folk songstress, vinyl pressings of her Mercury Prize-nominated debut, Alas I Cannot Swim (2008), and its 2010 coming-of-age follow-up featuring Mumford & Sons.
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Vinyl Releases of the Week: March 7, 2012
You know it’s going to be a good week when it begins with new music from Bruce Springsteen! Additional vinyl releases from the Bangles, Captain Beefheart, Edgar and Johnny Winter, Wes Montgomery, and many more guarantee you’ll be pumped by Friday.
Bruce Springsteen – Wrecking Ball (Columbia)
The Boss is back with his first album in three years! And it’s a big rock record, as stylistically diverse as it is politically charged. Fans may recognize the songs “American Land,” “Wrecking Ball,” and “Land of Hope and Dreams,” which were previously released as live tracks. Re-imagined here, the latter two feature sax solos from the Boss’ longtime E Street Band sideman, the late Clarence Clemons. Guests Tom Morello (Rage Against the Machine) and drummer Matt Chamberlain also make an appearance on the album. Available as a double 180-gram vinyl LP plus CD.
The Edgar Winter Group – They Only Come Out at Night (Friday Music)
This 1972 smash hit from Edgar Winter is now available for the first time on audiophile vinyl! Features 10 outstanding cuts including the classic rock staples “Free Ride” and “Frankenstein.”
Johnny Winter – Live Johnny Winter And (Friday Music)
And from Edgar’s brother Johnny: a re-mastered audiophile vinyl pressing of his enormously popular 1971 live album, taken from his performances at the Fillmore East and Pirate’s World in Florida. A blues-rock extravaganza, the album features searing renditions of “Jumpin’ Jack Flash” and “Johnny B. Goode,” as well as a rock ‘n’ roll medley and some blues classics.
Captain Beefheart – Merseytrout (Ozit Records UK)
A limited edition double LP pressing of the best-selling Captain Beefheart live album, recorded at Rotters Club in Liverpool in 1980. Previously only available on CD.
The Bangles – Sweetheart of the Sun (Waterfront Records)
Vinyl pressing of the 2011 offering from the Bangles. Co-produced by Matthew Sweet, it features the Bangles’ sunny vocal harmonies and signature blend of ‘60s-inspired folk and British Invasion rock.
The Jesus & Mary Chain – Stoned & Dethroned (1972 Records)
This 1994 album from the Scottish alternative rockers is back on vinyl for the first time since its original release. Featuring guest vocalists Shane MacGowan of the Pogues (“God Help Me”) and Hope Sandoval of Mazzy Star (“Sometimes Always”), it marks a drastic shift into calmer, more acoustic country/folk territory.
Aphex Twin – Selected Ambient Works, Volume II (1972 Records)
Another 1994 album is back on wax thanks to the good folks at 1972 Records. This time it’s from British electronic genius Richard James, who says he heard the album’s compositions in lucid dreams. Triple vinyl pressing.
The Runaways – And Now… The Runaways (Cherry Red UK)
UK reissue of the final studio album by the all-girl group. Featuring Joan Jett as lead vocalist, the album includes covers of the Beatles’ “Eight Days a Week” and Slade’s “Mama Weer All Crazee Now,” as well as “Black Leather,” a song originally written by ex-Sex Pistols Steve Jones and Paul Cook.
Rory Gallagher – Rory Gallagher, Deuce, Blueprint, Tattoo, Irish Tour ‘74 (Music on Vinyl Imports)
Heavyweight audiophile vinyl reissues of five early solo gems from the Irish blues-rock musician, originally released between 1971 and 1974. Includes the double live album Irish Tour ’74, which not only documents Gallagher’s explosive live show but his performance through a troubled Belfast.
Wes Montgomery – Echoes of Indiana Avenue (Resonance Records)
In celebration of what would have been Wes Montgomery’s 88th birthday comes this limited-edition 180-gram double LP – the first album of previously unheard music from the guitar legend in over 25 years! Contains rare studio and live performances recorded in Indianapolis between 1957 and 1958, before Montgomery’s 1959 debut, that capture both Montgomery’s immense talent and the Indianapolis jazz scene.
Bon Iver – “Towers” 7-inch (Jagjaguwar)
The third single from Bon Iver’s self-titled album, backed by a cover of John Prine’s “Bruised Orange (Chain of Sorrow).”
Bright Eyes – A Collection of Songs Written and Recorded 1995-1997, Oh Holy Fools: The Music of Son, Ambulance & Bright Eyes (Saddle Creek)
Die-hard Bright Eyes fans will be happy to hear that some of the band’s more obscure titles are back on 180-gram vinyl for the first time in years. A Collection of Songs… is Bright Eyes’ debut, featuring 20 songs recorded on a 4-track by Conor Oberst before his 18th birthday. Oh Holy Fools is a split EP from Bright Eyes and Son, Ambulance that was originally released in 2001.
Andrew Bird – Break It Yourself (Mom & Pop Music)
Double 180-gram vinyl LP pressing of the new release from Chicago-based multi-instrumentalist and master whistler, Andrew Bird. The magic is in the subtleties on this one and Bird’s lovely song craft is sure to delight on vinyl.
Donovan – The Hurdy Gurdy Man (Music on Vinyl Import)
Imported 180-gram vinyl reissue of Donovan’s 1968 album featuring the hit title track. Recorded shortly after A Gift from a Flower to a Garden (1967) and after returning from a 1968 visit to India where he studied under Maharishi Mahesh Yogi, the album is a mix of dark, droning psychedelia and pop.
Tricky – Maxinquaye (Music on Vinyl Import)
180-gram vinyl reissue of the 1995 solo debut from the British trip-hop pioneer. Features vocalists Martina Topley-Bird and Goldfrapp.
Afro Funk – Body Music (Secret Stash)
The sole LP from the London-based West African ex-pats has been a rare commodity since it was originally released in 1975. This marks the first reissue of the deep funk/Afro-beat collectible and includes a digital download coupon.
John Mayer – Where the Light Is: Live in Los Angeles (Music on Vinyl Import)
Deluxe 180-gram 4xLP reissue of this 2008 live album from the Grammy-winning singer-songwriter. Includes three different sets – an acoustic performance, a set with the John Mayer Trio, and a set with Mayer’s full band – as well as Mayer’s acoustic cover of Tom Petty’s “Free Fallin’.”
The Magnetic Fields – Love at the Bottom of the Sea (Merge)
After the “no-synth trilogy” of the 2000s, the Magnetic Fields revisit their signature ‘90s synth-driven pop sound on their new album, Love at the Bottom of the Sea, with a fresh approach – and synthesizers that didn’t exist the last time around.
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Vinyl Releases of the Week: February 29, 2012
Happy Leap Day, vinyl lovers! How fitting that the vinyl releases of the week are just as extraordinary as the date itself.
Pink Floyd – The Wall (Capitol)
The final installment in the extensive “Why Pink Floyd…?” reissue campaign is the band’s most ambitious album, The Wall, originally released in 1979. As with the other titles in the series, Capitol is offering a few deluxe reissue options including a double vinyl pressing.
The Ventures – Surfing (1963), The Ventures Play Telstar and the Lonely Bull (1963), The Ventures in Space (1964), The Fabulous Ventures (1964), Walk, Don’t Run, Vol. 2 (1964) (Sundazed Music)
Sundazed Music has painstakingly re-mastered five albums from the great instrumental rock band’s catalog and reissued them on 180-gram colored vinyl with original replica artwork.
Willie Nelson – Live from Austin, Texas (New West Records)
180-gram double vinyl pressing of this incredible 1990 performance at Austin City Limits, which includes a couple of duets with Shelby Lynne and fan favorites like “Always on My Mind,” “On the Road Again,” and “If You’ve Got the Money I’ve Got the Time.”
Johnny Cash – Live from Austin, Texas (New West Records)
First-time 180-gram vinyl pressing of the legend’s 1987 Austin City Limits taping. Includes classics like “Ring of Fire,” “Folsom Prison Blues,” “I Walk the Line,” and “Big River,” as well as a duet with his wife June and covers of Kris Kristofferson’s “Sunday Mornin’ Comin’ Down,” Guy Clark’s “Let Him Roll,” Tom T. Hall’s “I’ll Go Somewhere and Sing My Songs Again,” and John Prine’s “Sam Stone.”
Susan Tedeschi – Live from Austin, Texas (New West Records)
Last but not least, blues singer-songwriter Susan Tedeschi also gets the 180-gram treatment for her 2003 Austin City Limits performance during which she covers the likes of Sly Stone, John Prine, Stevie Wonder, and Bob Dylan.
Biz Markie – The Biz Never Sleeps (Traffic Entertainment)
Vinyl reissue of the famed Clown Prince of Hip-Hop’s 1989 sophomore album featuring his Top-10 hit “Just a Friend.” An old-school hip-hop classic.
Robert Glasper Experiment – Black Radio (Blue Note Records)
Vinyl pressing of the new album from acclaimed jazz pianist Robert Glasper and his eclectic Experiment. They bridge the gap between R&B, hip-hop, rock, and jazz with special guests including Erykah Badu, Lupe Fiasco, Mos Def, and Meshell Ndegeocello. In addition to collaborative originals, Black Radio features surprising covers of Sade’s “Cherish the Day,” David Bowie’s “Letter to Hermione,” Nirvana’s “Smells Like Teen Spirit,” and the standard “Afro Blue.”
Jay Farrar, Will Johnson, Anders Parker, and Jim James – New Multitudes (Rounder)
A Woodie Guthrie tribute album from four alt-country torchbearers, New Multitudes commemorates the 100th anniversary of the folk legend’s birth and brings unpublished, lovelorn lyrics from his California period to life. Veering away from the theme of workers’ rights and protest songs, this material captures both the hope and loneliness of L.A.
Hank Thompson – Songs for Rounders (Real Gone Music)
Re-mastered 160-gram vinyl reissue of one of country music’s most essential albums, notorious cover art and all. Originally released in 1959, Songs for Rounders was a bold album for its time with its honky-tonk tales of prostitution, drinking, gambling, and drugs.
Jozef Van Wissem and Jim Jarmusch – Concerning the Entrance Into Eternity (Important Records)
This collaboration between the Dutch lutenist and American independent filmmaker/guitarist is just as extraordinary as it sounds.
Die Antwoord – Ten$ion (Downtown)
The futuristic rap-rave/performance art group from Cape Town, South Africa returned earlier this month with a new (even freakier) album, and it is now available on vinyl.
Jean Michel Jarre – Oxygène (1976), Équinoxe (1978), Magnetic Fields (1981), Rarities (Disques Dreyfus)
First-ever vinyl reissues of the ambient and electronic music pioneer’s three best-selling albums as well as a rarities collection, all re-mastered from the original reels and pressed on 180-gram vinyl.
Lee Perry and the Upsetters – High Plains Drifter (Pressure Sounds)
This new compilation from the boundary-pushing reggae producer collects Jamaican singles from 1968 to 1973 and presents them here as a double vinyl LP. “Rare as they come and very funky.”
Saxon – Wheels of Steel (1980), Strong Arm of the Law (1980), Denim and Leather (1981), Power & the Glory (1983), Crusader (1984), Innocence Is No Excuse (1985), Rock the Nations (1986) (Back on Black Imports)
The UK heavy-metal label Back on Black has reissued seven titles from the legendary UK heavy-metal band on 180-gram colored vinyl.
Andre Williams – Hoods and Shades (Bloodshot Records)
Self-described as “the Andre Williams folk album,” Hoods and Shades was recorded in Detroit during the summer of 2010 with the R&B legend’s “Detroit Boys,” who include Grammy-winning producer Don Was on upright bass, Motown guitarist Dennis Coffey, Dirty Three drummer Jim White, and the Dirtbombs’ Jim Diamond on electric bass. Raw and bluesy, it “plays out like an afternoon hangout among music peers” in its soul-blues, psychedelic funk, and rockabilly roots jams.
Surfer Blood – Astro Coast (Kanine Records)
Surfer Blood’s breakout 2010 debut is now back in print on vinyl. MP3 download code includes bonus remixes from the album.
The definitive Ventures reissues.
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Vinyl Releases of the Week: February 22, 2012
Think of every essential jazz record from 1961, and you can bet it was reissued this week on 180-gram vinyl. There is also plenty of new music to sink your record needle into including albums from two of Saturday Night Live‘s recent musical guests.
Bill Evans Trio – Explorations (Wax Time Import)
Limited 180-gram vinyl pressing of this 1961 album by the original Bill Evans Trio featuring the legendary jazz pianist, bassist Scott LaFaro, and drummer Paul Motian. A riveting album, Explorations is said to have established a new standard for trio interaction.
Duke Ellington Meets Count Basie – Battle Royal (Wax Time Import)
Limited 180-gram vinyl pressing of this 1961 album documenting the first (and sole) time these two jazz legends crossed paths in the recording studio.
Louis Armstrong & Duke Ellington – The Great Summit (Wax Time Import)
Limited 180-gram vinyl pressing of the legendary 1961 album that brings together these two influential jazz giants for the first and only time. Features Armstrong and his All Stars playing a selection of Ellington’s best compositions with Ellington sitting in on piano.
Eric Dolphy – Eric Dolphy at the Five Spot, Vol. 1 (Wax Time Import)
Limited 180-gram vinyl pressing of this 1961 live set from Eric Dolphy and his legendary quintet featuring trumpeter Booker Little. Documenting one night of their two-week residency at the Five Spot Cafe in New York City, the album reveals the innovation that made this combo so esteemed in the progressive post-bop world. As a bonus, this reissue includes Dolphy’s first version of Billie Holiday’s “God Bless the Child.”
The Montgomery Brothers – Groove Yard (Wax Time Import)
Limited 180-gram vinyl pressing of this 1961 album from one of the best sibling-based groups in jazz: guitarist Wes, pianist Buddy, and bassist Monk. Highlights include their covers of Carl Perkins’ “Groove Yard” and Harold Land’s “Delirium.”
Henry Mancini – Breakfast at Tiffany’s (Wax Time Import)
Limited 180-gram vinyl pressing of the chart-topping soundtrack to the 1961 motion picture. Relive the many adventures of Miss Holly Golightly and enjoy Mancini’s timeless “Moon River.”
Charles Mingus – Pithecanthropus Erectus (Wax Time Import)
The one exception to this week’s 1961 theme is Charles Mingus’ 1956 breakthrough as a leader. Overflowing with imagination, Pithecanthropus Erectus broke conventions as well as new ground in jazz, and it established Mingus as an adventurous modernist. 180-gram vinyl reissue.
Django Reinhardt – Swingin’ with Django, Are You in the Mood?, Rhythm Futur, Swing de Paris (Monk)
Enjoy the virtuoso jazz guitarist and gypsy jazz pioneer on vinyl with these four compilations from Monk Records.
Phoebe Snow – Phoebe Snow (Friday Music)
180-gram audiophile vinyl reissue of Phoebe Snow’s acclaimed 1974 debut album featuring the hit “Poetry Man.”
Sleigh Bells – Reign of Terror (Mom + Pop Music)
You may have just caught this Brooklyn “shred-pop” duo on SNL over Presidents Day Weekend, and now you can listen to their new album on vinyl!
Lana Del Rey – Born to Die (Interscope)
Even if you didn’t see Lana Del Rey on SNL, chances are you heard about her performance. Say what you will, but there’s something in the laconic pop of “Video Games” that makes me think it will translate far better on vinyl.
Cursive – I Am Gemini (Saddle Creek)
The latest from the Omaha rockers is a concept album that tells the tale of two estranged twins, Cassius and Pollock, and it’s being called Cursive’s musically heaviest album in years.
Archers of Loaf – Vee Vee (Merge Records)
Limited-edition vinyl reissue of the college rock heroes’ acclaimed sophomore album, originally released in 1995. Re-mastered and pressed on mossy-green vinyl, it includes a download coupon of the album plus 16 bonus tracks.
Jim White – Where It Hits You (Yep Roc Records)
This lo-fi Americana pioneer is back with a new double LP. And in the hellish turmoil and heartbreak of his wife leaving him during the making of Where It Hits You, White produced a harrowing masterpiece and some of his finest songwriting to date.
Josh Ritter – Bringing in the Darlings (Pytheas Recordings)
The new 10-inch EP from the esteemed singer-songwriter was inspired by Buddy Holly, Ricky Nelson, and the Everly Brothers and recorded with simplicity in mind.
Damien Jurado – Maraqopa (Secretly Canadian)
The new album from “Seattle’s folk-boom godfather” is, as promised, unlike anything you’ve heard from Damien Jurado before. The difference? The touch of producer Richard Swift – be it a bossa-nova groove here or some Spector-esque psychedelia there – which really takes Jurado’s weary acoustic guitar to the next level.
Tindersticks – The Something Rain (Constellation)
This Nottingham band is back with a new album and the longest song of its two-decade career in the album’s spoken-word opener, “Chocolate.” Already garnering a great deal of critical praise, The Something Rain was described by Simon Price of the UK’s Independent as “nine pieces of beautiful bossa-nova noir, daydreamy reverie, and existential easy listening.” 180-gram pressing.
Arctic Monkeys – “Black Treacle” / “You and I” 7-inch (Domino)
The fourth single from the Arctic Monkeys’ critically acclaimed fourth album, Suck It and See, paired with new B-side “You and I” featuring vocals from Richard Hawley.
Tortoise – Standard (Thrill Jockey)
Vinyl reissue of the 2001 album by the post-rock band. Pressed on high-quality virgin vinyl, it features the original artwork-lined inner sleeve and custom silk-screened outer bag.
Speech Debelle – Freedom of Speech (Big Dada Records)
The powerful follow-up to the South London rapper’s Mercury Prize winning debut, Speech Therapy. Double vinyl pressing.
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Vinyl Releases of the Week: February 15, 2012
It’s all about quality reissues this week, and they range from the most sultry to the most quirky.
Sade – Diamond Life (Audio Fidelity)
I can’t think of anything more appropriate than this Valentine’s Day reissue of Sade’s phenomenal 1985 debut album on 180-gram virgin vinyl. Released 27 years ago, Diamond Life hasn’t lost one bit of its seductive appeal thanks to songs like the Top-10 single “Smooth Operator.”
The Flaming Lips – Hit to Death in the Future Head (1992), Transmissions from the Satellite Heart (1993), Clouds Taste Metallic (1995), The Soft Bulletin (1999), Yoshimi Battles the Pink Robots (2002) (Warner Bros.)
Calling all Lips fans: the band’s first five Warner Bros. albums assembled for the Heady Nuggs vinyl box set last year are now individually available on vinyl! From the kooky sing-along hit “She Don’t Use Jelly” (off of Transmissions from the Satellite Heart) to the symphonic brilliance of The Soft Bulletin and the emotional heights of the Grammy-winning Yoshimi Battles the Pink Robots, this quirky Oklahoma alt-rock/psych-pop band has evolved into masters of sonic bliss in the vein of Brian Wilson. Lush, sentimental, and experimental, this is a band that you NEED to hear on vinyl.
Grateful Dead – Live/Dead (Mobile Fidelity)
180-gram double LP reissue of the Dead’s 1969 live album, half-speed mastered from the original tapes. Recorded over a series of San Francisco concerts in early ‘69, Live/Dead is a landmark live album that captures the band’s interplay and improvisations, and illustrates why the Dead was the best live band of the era.
Reckoning, Terrapin Station (Analogue Productions)
We’ve also got 200-gram vinyl reissues of 1977’s more funkified Terrapin Station, featuring the extended title suite and a horn-fueled disco arrangement of Martha and the Vandellas’ “Dancing in the Street,” and the 1981 acoustic live album, Reckoning, which was recorded during the Dead’s 1980 performances at the Warfield in San Francisco and Radio City Music Hall in New York City and nods to their more traditional folk beginnings.
Carole King – Music (Mobile Fidelity)
180-gram vinyl reissue of Carole King’s 1971 album, Music, the often overlooked follow-up and companion to her breakthrough album, Tapestry. Topping the charts upon its release, Music features the songs “It’s Going to Take Some Time” (later a hit for the Carpenters), “Sweet Seasons,” and “Brother, Brother.” This marks the first re-mastering of Music and brilliantly reveals King’s extraordinary songwriting, voice, and piano playing.
Joe Walsh – But Seriously, Folks… (Friday Music)
For the first time on 180-gram vinyl is Joe Walsh’s Top-10 1978 album featuring his biggest solo hit, the eight-minute “Life’s Been Good.” Recorded shortly after he recorded and toured Hotel California with the Eagles, this reflective song cycle captures Walsh at his peak and features the other four Eagles.
James Brown – New York City Soul Break Out! (Cleopatra Records)
If you love vintage James Brown, you’ll love this 180-gram vinyl release from Cleopatra Records. Features live performances of classics like “Papa’s Got a Brand New Bag,” “I Got You (I Feel Good),” “Get Up Offa That Thing (Release the Pressure),” “It’s a Man’s Man’s Man’s World,” and “Get Up (I Feel Like Being a) Sex Machine.”
Cal Tjader – Cal Tjader’s Latin Concert (Original Jazz Classics)
Vinyl reissue of this essential 1958 Latin jazz album from vibraphonist Cal Tjader. Recorded live at the Blackhawk in San Francisco with pianist Vince Guaraldi, bassist Al McKibbon, Willie Bobo on timbales and drums, and Mongo Santamaria on congas.
Thelonious Monk – The Unique Thelonious Monk (Fantasy Records)
Vinyl reissue of this exceptional 1956 album featuring pianist Thelonious Monk, bassist Oscar Pettiford, and drummer Art Blakey performing a well-chosen set of standards.
McCoy Tyner – Sahara (Original Jazz Classics)
Vinyl reissue of the 1972 Grammy-nominated breakthrough release by jazz pianist McCoy Tyner, widely considered to be his best. Features saxophonist Sonny Fortune, bassist Calvin Hill, and drummer Alphonse Mouzon.
Queensryche – The Warning (Friday Music)
Limited-edition 180-gram audiophile vinyl reissue of Queensryche’s 1984 debut full-length album. Recorded in London and produced by James Guthrie (Pink Floyd, Judas Priest), this Orwellian-themed prog-metal record remains a fan favorite.
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